Definition of poetry in general, the Arab
Arabization or alienation?
The issue of Arab poetry vast area of attention of researchers, critics and poets, a case dealing with the subject content of modernity and Jewish war in both form and content, and another perspective the conflict raging between the advocates of Arabization and advocates of Westernization. The team first insisted on maintaining national identity and the Arab roots, and the other group demanding Balhakh in the parade based on modernity stripped of all its components and characteristics of independence and uniqueness, and devoted follower spins in the orbit of Western culture.
Here it is worth a reminder not only that Narj the most important characteristics of poetry knowledge and its benefits, which the Arab living memory throughout its long history, which is formulated on a vertical poem seas weighing sixteen, and music-based rhythm to it. This form, either in terms of content and purpose of poetry was Algosaidharabh simple poses an issue or situation prevailing at the time the language of Arabic sound was close to explain to the listeners who enjoyed sensitively and a great ability to taste, and practice a simple form of cash required by the conditions of these recipients and the environment they Atefion shadows. The poem does not directly know the torsion does not circumvent or warp, and paved the way to the ears of those recipients and their hearts, and so was Arabic poetry and Arabic poem. As for what purposes it did not come out of poetry to express their cases and the general conditions that prevailed, which was on the whole portrayal of the situation of Arab social, cultural, political, economic, intellectual, and did not come out for these frameworks. Although the Arabs had been exposed to a lot of nations that cultural creativity translated into Arabic and cultural, but poetry remained isolated from others and vulnerable hair. Arab poetry was dignified to the extreme limits-esteem, confident of his footsteps as a firm has deep roots in the land, history, pride and belonging.
Needless to say that the poetry he occupies a prominent place among the Arabs has been said the past he was "of the Arabs" and still is, and if the ancient civilizations knew some of the accomplishments of legal and some Medical or sculpture, philosophy, theater, the Arabs knew through their hair Bbhorh and weights and his music and Qoaver which form the fabric unit Say that found him at the instance of other nations, and here acquired a copy of the Arabic poetry oneness and uniqueness and excellence in this area.
And poetry was and still is in many cases, the lungs of poets in which the freedoms of expression, thought and express their opinions were not in times where the media is the hair. Even in the era of the spread of the media and hegemony, many of the poets do not find in this means that it ends in almost all department policies in the orbit of political systems do not intersect and the ideas of these poets. We note here that we also do not talking about the poets who have been able to publish their work for them one way or another, but we also turn our attention to the thousands of poets who think and express what is going on in Jawarjhm by the poem, but have not had the opportunity to publish their work.
And leads us to talk about poetry to talk about the status of Arab poet, he voted his people and Raúdhm speak their own tongue and speaks their language and lives of their cases and defend them, in short they have, their sincerity to say, Sedkoh feelings and respond, so he did not drag them to the maze, and did not generate them in the swirling void and nothingness, did not shave them to the jungles of mystery and superstition and witchcraft and Tsamh, but led them to their Baksaúdh lit spaces.
If we talked about the place of the poet and his credibility, we are here also we can not ignore the infrastructure that was held by poetry we mean by the eloquence and the statement, meanings, etc. of paper and freshness, passion and virility and strength and beauty and photography metaphorical and allegorical, imagination, wisdom and philosophy.
This is poetry, which we inherited from our culture and nestled in our memories through the centuries, and continue to live each Dqaúgah Bjawarhana that has stuck and I went down to deeper depths and Jaddanatena and intersected with the feelings and emotions. Here we do not deny that the hair object change and evolve depending on the circumstances and the different variables. But may be less change than others, or slower, so that the change in practice lies in the content and filming the event and all the real-time updates.
It is known that Arab life has been trapped in stalemate for centuries cramped, and entered the era of colonialism is restricted Bakpal stick inertia and maintain, but that the image of Arab life and in particular Mhhdha Cultural taking are changing according to the new circumstances since the mid-nineteenth century and early twentieth century.
There is no doubt that the mixing with the West, the colonial civilized has been a mirror sees the Arab Middle East itself for the first time, or in other words, criterion weighs its affairs, and his things, whatever is the rule on the weight and the credibility and relevance to the spirit of the modern platform of himself and his cultural, political and Alantmaúah and heritage, but things did not stop at this point the European colonialism carries with it the many forms of colonialism and especially cultural colonialism or cultural invasion which was based on the mechanisms of "uprooting and replacement."
In the first phase was "Skid cultural invasion" has worked hard to destroy the infrastructure of Arab culture inherited and rooted out, and through campaigns to question its credibility and appeal spirit and Afaqadha reference, blur positives and blacked out, and show all the drawbacks and disadvantages under the pretext of not being able to keep up the spirit of the age and its requirements , hence the vacuum cultural event which was followed by the second phase, which has been active in foreign elements in planting settlements, cultural, intellectual and imported Western concepts.
Perhaps the Arabic poetry and Arabic poem in particular, were among the most targeted victims, that they represent a pattern Tvkiraa prevailed, and a special speech characterized by the Arabs. Here we would like to note that the biggest victory for the cultural invasion was that educated Arabs extended their hands to the Arab poetry and Arab poem not to self-development, but for the demolition of Sroha and the abolition of structure of building and changing self-image and replacing it with another picture has not been to him nothing place, under the pretext of modernity and modernization.
Here it is worth Narj to a wave of modernity which dominated the thinking of a group of Arab intellectuals and are manifestations and their impact intellectual creations, literary and poetic. A model of thinking Europeans came to Europe due to their economic, social, political and liberation of absolute values that were prevalent, whether traditional or religious, is based mainly to think about the physical exchange and advocacy for the rights to confront their destiny independently, regardless of the immediate and institutional frameworks that should be disposed of many of them. But what concerns us the subject of Western modernity as cargo imported it:
- Does not believe in the principle of cultural pluralism.- It stems from the centrality of Western culture.- Marginalize other cultures, whatever and therefore excluded.- Imposed on the Third World as a powerful culture in order to be adopted by the world as the world vulnerable recipients.
Of course, the poetry in particular and Arab thought in general and signed Vrista this system modernist, and walked in passengers at the hands of poets, writers and critics called themselves the expression modernists, which showed the poem modernist last of what came up about the mentality of modernity a "prose poem" the poem which gave up her soul Alantmaúah heart and mind and language, and bared to the extent that lured and seduced many to her and be intimate with her for easy access.
A poem abandons the concept of the poem, both the overall aesthetic or musical or linguistic. We are here, that we were our reservations on all of this scenario that was imposed under the atmosphere of the coma Alantmaúah and walk under the passenger the culture of others, but we were at the same time, we hope to have a dialogue, rational and logical may reach us at the end to the adoption of the principle of plurality of the structural poetry.
However, these modernists not only what that did was staging a relentless war and are still on the Arab mentality in general and poetry in particular, and perhaps the most dangerous thing that did it they portrayed Arab poetry like a rootless and tied his future hair-west, and put him in the part of the experience of others and canceled his own, and stripped him of all directions, rationality and the human and intellectual, and it charges Alsqoa rhetoric and improvisational, emotional, direct and flatness and the adoption of bell music and singing.
But the harshest sentences they produced against him they sentenced him to balance the current modernist Western standards, and so dedicated Donath toward the superstructure of Western culture, and this is not in the field of poetry, but in many areas related to the Arabic language in all their aspects, and we saw that the wave labels frenzied foreign languages, which invaded the Arab world.
And return us to the experience of this poetry to emphasize the following facts:
Many people who write poetry, but few poets. Attempts are pretty bold and innovative deserves to stand then, at the same time, there are more cases of intent issued by the absurdity is good, or in other words destructive.
Arabic poetry current passes in the case of any experimentation he did not reach the stage of stability after. The memory of the reader is slow, it is not aware of the new movements do not mean at all, and recipients do not find themselves in this contemporary poetry modernist poetry and legend and delirium Tsamh, superstition, and vague language.
That the hair that is supposed to be dedicated, strengthen foundations should be a poetry open to all cultures, not the prisoner's isolation at the same time that the roots of Antmaúah striking originality in it or not out rebels or renegade, or agent of another.
In summary, the experimentation, in principle, acceptable in all areas, but in the case of poetry there is a reservation that that era is the era of the emergence of schools of poetry multiple and constantly changing, and the emergence of a school means the cancellation of its predecessor, so that each school is trying to intentionally liquidation of its predecessor and to find themselves the future horizon. For ticket there are fourteen Western school of poetry, and more than this number of trends, and keep up these schools and trends of Arab poets before them dead for a mere shadow of fruit trees, and the echoes of the voices, and the Arab expression "pro-masters."
That run behind the modernity derived from European schools may enter the Arab mind the era of stagnation and ossification, and what some would like to be called the name of creativity is, in fact, but the tradition has no identity, and if some think it through climbing stairs World, the authors emphasized of the owners of the world it is genuinely based only on the local sincere.
Arabization or alienation?
The issue of Arab poetry vast area of attention of researchers, critics and poets, a case dealing with the subject content of modernity and Jewish war in both form and content, and another perspective the conflict raging between the advocates of Arabization and advocates of Westernization. The team first insisted on maintaining national identity and the Arab roots, and the other group demanding Balhakh in the parade based on modernity stripped of all its components and characteristics of independence and uniqueness, and devoted follower spins in the orbit of Western culture.
Here it is worth a reminder not only that Narj the most important characteristics of poetry knowledge and its benefits, which the Arab living memory throughout its long history, which is formulated on a vertical poem seas weighing sixteen, and music-based rhythm to it. This form, either in terms of content and purpose of poetry was Algosaidharabh simple poses an issue or situation prevailing at the time the language of Arabic sound was close to explain to the listeners who enjoyed sensitively and a great ability to taste, and practice a simple form of cash required by the conditions of these recipients and the environment they Atefion shadows. The poem does not directly know the torsion does not circumvent or warp, and paved the way to the ears of those recipients and their hearts, and so was Arabic poetry and Arabic poem. As for what purposes it did not come out of poetry to express their cases and the general conditions that prevailed, which was on the whole portrayal of the situation of Arab social, cultural, political, economic, intellectual, and did not come out for these frameworks. Although the Arabs had been exposed to a lot of nations that cultural creativity translated into Arabic and cultural, but poetry remained isolated from others and vulnerable hair. Arab poetry was dignified to the extreme limits-esteem, confident of his footsteps as a firm has deep roots in the land, history, pride and belonging.
Needless to say that the poetry he occupies a prominent place among the Arabs has been said the past he was "of the Arabs" and still is, and if the ancient civilizations knew some of the accomplishments of legal and some Medical or sculpture, philosophy, theater, the Arabs knew through their hair Bbhorh and weights and his music and Qoaver which form the fabric unit Say that found him at the instance of other nations, and here acquired a copy of the Arabic poetry oneness and uniqueness and excellence in this area.
And poetry was and still is in many cases, the lungs of poets in which the freedoms of expression, thought and express their opinions were not in times where the media is the hair. Even in the era of the spread of the media and hegemony, many of the poets do not find in this means that it ends in almost all department policies in the orbit of political systems do not intersect and the ideas of these poets. We note here that we also do not talking about the poets who have been able to publish their work for them one way or another, but we also turn our attention to the thousands of poets who think and express what is going on in Jawarjhm by the poem, but have not had the opportunity to publish their work.
And leads us to talk about poetry to talk about the status of Arab poet, he voted his people and Raúdhm speak their own tongue and speaks their language and lives of their cases and defend them, in short they have, their sincerity to say, Sedkoh feelings and respond, so he did not drag them to the maze, and did not generate them in the swirling void and nothingness, did not shave them to the jungles of mystery and superstition and witchcraft and Tsamh, but led them to their Baksaúdh lit spaces.
If we talked about the place of the poet and his credibility, we are here also we can not ignore the infrastructure that was held by poetry we mean by the eloquence and the statement, meanings, etc. of paper and freshness, passion and virility and strength and beauty and photography metaphorical and allegorical, imagination, wisdom and philosophy.
This is poetry, which we inherited from our culture and nestled in our memories through the centuries, and continue to live each Dqaúgah Bjawarhana that has stuck and I went down to deeper depths and Jaddanatena and intersected with the feelings and emotions. Here we do not deny that the hair object change and evolve depending on the circumstances and the different variables. But may be less change than others, or slower, so that the change in practice lies in the content and filming the event and all the real-time updates.
It is known that Arab life has been trapped in stalemate for centuries cramped, and entered the era of colonialism is restricted Bakpal stick inertia and maintain, but that the image of Arab life and in particular Mhhdha Cultural taking are changing according to the new circumstances since the mid-nineteenth century and early twentieth century.
There is no doubt that the mixing with the West, the colonial civilized has been a mirror sees the Arab Middle East itself for the first time, or in other words, criterion weighs its affairs, and his things, whatever is the rule on the weight and the credibility and relevance to the spirit of the modern platform of himself and his cultural, political and Alantmaúah and heritage, but things did not stop at this point the European colonialism carries with it the many forms of colonialism and especially cultural colonialism or cultural invasion which was based on the mechanisms of "uprooting and replacement."
In the first phase was "Skid cultural invasion" has worked hard to destroy the infrastructure of Arab culture inherited and rooted out, and through campaigns to question its credibility and appeal spirit and Afaqadha reference, blur positives and blacked out, and show all the drawbacks and disadvantages under the pretext of not being able to keep up the spirit of the age and its requirements , hence the vacuum cultural event which was followed by the second phase, which has been active in foreign elements in planting settlements, cultural, intellectual and imported Western concepts.
Perhaps the Arabic poetry and Arabic poem in particular, were among the most targeted victims, that they represent a pattern Tvkiraa prevailed, and a special speech characterized by the Arabs. Here we would like to note that the biggest victory for the cultural invasion was that educated Arabs extended their hands to the Arab poetry and Arab poem not to self-development, but for the demolition of Sroha and the abolition of structure of building and changing self-image and replacing it with another picture has not been to him nothing place, under the pretext of modernity and modernization.
Here it is worth Narj to a wave of modernity which dominated the thinking of a group of Arab intellectuals and are manifestations and their impact intellectual creations, literary and poetic. A model of thinking Europeans came to Europe due to their economic, social, political and liberation of absolute values that were prevalent, whether traditional or religious, is based mainly to think about the physical exchange and advocacy for the rights to confront their destiny independently, regardless of the immediate and institutional frameworks that should be disposed of many of them. But what concerns us the subject of Western modernity as cargo imported it:
- Does not believe in the principle of cultural pluralism.- It stems from the centrality of Western culture.- Marginalize other cultures, whatever and therefore excluded.- Imposed on the Third World as a powerful culture in order to be adopted by the world as the world vulnerable recipients.
Of course, the poetry in particular and Arab thought in general and signed Vrista this system modernist, and walked in passengers at the hands of poets, writers and critics called themselves the expression modernists, which showed the poem modernist last of what came up about the mentality of modernity a "prose poem" the poem which gave up her soul Alantmaúah heart and mind and language, and bared to the extent that lured and seduced many to her and be intimate with her for easy access.
A poem abandons the concept of the poem, both the overall aesthetic or musical or linguistic. We are here, that we were our reservations on all of this scenario that was imposed under the atmosphere of the coma Alantmaúah and walk under the passenger the culture of others, but we were at the same time, we hope to have a dialogue, rational and logical may reach us at the end to the adoption of the principle of plurality of the structural poetry.
However, these modernists not only what that did was staging a relentless war and are still on the Arab mentality in general and poetry in particular, and perhaps the most dangerous thing that did it they portrayed Arab poetry like a rootless and tied his future hair-west, and put him in the part of the experience of others and canceled his own, and stripped him of all directions, rationality and the human and intellectual, and it charges Alsqoa rhetoric and improvisational, emotional, direct and flatness and the adoption of bell music and singing.
But the harshest sentences they produced against him they sentenced him to balance the current modernist Western standards, and so dedicated Donath toward the superstructure of Western culture, and this is not in the field of poetry, but in many areas related to the Arabic language in all their aspects, and we saw that the wave labels frenzied foreign languages, which invaded the Arab world.
And return us to the experience of this poetry to emphasize the following facts:
Many people who write poetry, but few poets. Attempts are pretty bold and innovative deserves to stand then, at the same time, there are more cases of intent issued by the absurdity is good, or in other words destructive.
Arabic poetry current passes in the case of any experimentation he did not reach the stage of stability after. The memory of the reader is slow, it is not aware of the new movements do not mean at all, and recipients do not find themselves in this contemporary poetry modernist poetry and legend and delirium Tsamh, superstition, and vague language.
That the hair that is supposed to be dedicated, strengthen foundations should be a poetry open to all cultures, not the prisoner's isolation at the same time that the roots of Antmaúah striking originality in it or not out rebels or renegade, or agent of another.
In summary, the experimentation, in principle, acceptable in all areas, but in the case of poetry there is a reservation that that era is the era of the emergence of schools of poetry multiple and constantly changing, and the emergence of a school means the cancellation of its predecessor, so that each school is trying to intentionally liquidation of its predecessor and to find themselves the future horizon. For ticket there are fourteen Western school of poetry, and more than this number of trends, and keep up these schools and trends of Arab poets before them dead for a mere shadow of fruit trees, and the echoes of the voices, and the Arab expression "pro-masters."
That run behind the modernity derived from European schools may enter the Arab mind the era of stagnation and ossification, and what some would like to be called the name of creativity is, in fact, but the tradition has no identity, and if some think it through climbing stairs World, the authors emphasized of the owners of the world it is genuinely based only on the local sincere.
